Pomellato’s Collezione 1967: A Journey Through High Jewelry, Milanese Identity, and Feminine Expression

In August 2025, Italian jewelry house Pomellato unveiled its latest high jewelry collection, Collezione 1967. Far more than a presentation of exquisite pieces, the collection is a richly layered tribute to the brand’s history, its Milanese roots, and its commitment to redefining jewelry through a feminine, artistic, and contemporary lens. With 75 distinctive creations, this new chapter reflects on Pomellato’s evolution through three pivotal decades—the 1970s, 1980s, and 1990s—each of which helped shape the brand’s unmistakable identity.

Named for the year of the house’s founding, Collezione 1967 is not simply an homage to the past. Rather, it is an elegant exercise in reinterpretation. These jewels are not replicas of former glories, nor are they nostalgic nods. They are thoroughly modern designs grounded in heritage but executed with innovation, storytelling, and emotional resonance. In doing so, Pomellato challenges conventional notions of high jewelry and invites wearers into a more personal, expressive dialogue with the pieces they choose to adorn themselves with.

Unlike many storied houses born in the ateliers of Paris or Geneva, Pomellato emerged from Milan—a city steeped in architectural discipline, functional design, and industrial artistry. These influences run deep in the brand’s DNA. From the beginning, Pomellato sought to disrupt the rigid formalism of traditional jewelry, eschewing ornamental excess and predictable symmetry for bold shapes, sensuous chains, colored gemstones, and surprising structures. The brand’s history has always been one of resistance—against tradition, against constraints, and, often, against the male gaze that has long dominated the high jewelry world.

The 1970s, the first chapter of Collezione 1967, mark the beginning of Pomellato’s aesthetic revolution. During this decade, founder Pino Rabolini reimagined chain jewelry, elevating it from functional accessory to central design element. He drew from the deep well of Milanese goldsmithing to create pieces where the chain was no longer a supporting player, but the star. Pomellato’s chains—bold, tactile, sensual—became symbols of freedom, modernity, and female autonomy.

In the new collection, the chain takes center stage once again, this time through 20 sculptural designs that reinterpret the house’s iconic forçat chain. Among them, the Aquamarine Dream necklace stands out as a stunning example of technical mastery and stylistic purity. Made from 18k rose gold and embellished with diamonds, the necklace features a smart dégradé of chain links—smaller in the back, gradually increasing in size toward the front—offering not just visual impact, but physical comfort. The centerpieces are two spectacular aquamarines: one a rounded rectangular cabochon of 37.98 carats, the other a faceted drop of 15.95 carats. These luminous blue stones seem to float within the golden framework, anchoring the design with both elegance and weight.

This attention to proportion, tactility, and movement has always distinguished Pomellato’s approach to jewelry. Even in its boldest forms, there is a constant consideration for how the piece interacts with the body. The result is jewelry that isn’t just beautiful to behold—it is meant to be lived in, worn, and felt.

Moving into the 1980s, the collection shifts dramatically in tone. This was an era of power dressing and unrepentant self-expression, when jewelry served as both armor and art. During this decade, Pomellato embraced a sculptural, architectural language—favoring irregular cuts, statement volumes, and striking asymmetries. The 18 designs in this segment are assertive, even theatrical, yet never lose the sensibility that defines the brand.

The Asimmetrico Tanzanite ring encapsulates this spirit. At its core is a magnificent 37.73-carat tanzanite, cut into an abstract, asymmetrical form that defies conventional geometry. Its deep violet-blue hue glows against a bed of diamond pavé and warm rose gold, creating a tension between control and chaos, precision and wildness. The setting mimics the undulating forms of natural rock or molten metal, further blurring the line between gem and sculpture. Pomellato doesn’t force symmetry or perfection—instead, it finds beauty in irregularity, in the idea of organic design shaped by intuition rather than formula.

This philosophy continues with an avant-garde diamond collar necklace from the same era, set with seven aquamarines in different shapes and sizes. The links themselves are asymmetrical, and the overall effect is of a structure constantly in motion—each link a beat in a rhythm, each gem a note in a visual symphony.

While many heritage houses define their legacy through perfection and permanence, Pomellato has always made room for fluidity, chance, and imperfection—values that resonate deeply with a new generation of jewelry collectors who prioritize meaning over convention.

The final chapter of Collezione 1967 is dedicated to the 1990s—a decade typically associated with minimalism and restraint. But once again, Pomellato chose a different path. Rather than pare down, it dove deeper into color exploration, pushing the boundaries of gemstone combinations, unusual cuts, and chromatic boldness. These were not jewels designed to disappear into an all-black wardrobe. They were declarations—playful, exuberant, and full of life.

In this part of the collection, which comprises 37 designs, the house showcases its mastery of color. The standout piece, the Lagoon Bavarole necklace, is a breathtaking cascade of 47 irregular-cut green tourmalines set in twisted pavé rope chains of rose gold. The composition is at once precise and natural, evoking the layered texture of moss, the shimmer of light on water, and the kinetic energy of a waterfall. Each stone is unique in shape and hue, creating a chromatic flow that mimics nature’s imperfect harmony.

These pieces reflect Pomellato’s belief that color is not an embellishment—it is a language. The brand’s color theory goes beyond matching tones; it’s about orchestrating mood, contrast, and energy. Green, in this context, becomes not just a color but a symbol of renewal, curiosity, and defiant joy.

And at the heart of all this beauty is a consistent, quiet rebellion. Pomellato has never sought to emulate the aesthetic codes of traditional high jewelry. It doesn’t chase the tiara crowd or the red-carpet formula. Instead, it creates jewelry for women who lead with confidence, dress with autonomy, and wear their identity with pride. This modern woman doesn’t wear jewelry to be adorned—she wears it to express, to feel, to move.

Equally notable is Pomellato’s commitment to craftsmanship. Every piece in Collezione 1967 is handcrafted in the brand’s Milanese atelier using techniques passed down through generations. From goldsmithing and stone-setting to polishing and testing, each design is the result of hundreds of hours of work and collaboration. Despite their complexity, these jewels are made to be worn—not just once for a gala, but often, joyfully, and freely.

This wearable artistry reflects another core tenet of Pomellato: jewelry should never be separate from life. While many high jewelry pieces are designed for museum cases or safes, Pomellato creates for skin, for movement, for memory. The pieces conform to the body, age with their wearer, and become a part of their story.

Beyond aesthetics and materials, what truly elevates Collezione 1967 is its narrative depth. These jewels are not just adornments; they are emotional objects. They represent three decades of social change, fashion shifts, and evolving femininity. Through the lens of chains, asymmetry, and color, Pomellato tells a broader story about identity, rebellion, softness, and strength.

In a jewelry industry often defined by hierarchy, tradition, and lineage, Pomellato offers a refreshing alternative: a brand unafraid of asymmetry, of imperfection, of color, of power. And perhaps most importantly, a brand unafraid to center women—not as muses, but as creators, collectors, and protagonists.

Collezione 1967 is a masterclass in modern jewelry storytelling. It is as much a celebration of craftsmanship and heritage as it is a forecast of where high jewelry can go when freed from convention. It proves that elegance need not be rigid, that history can be fluid, and that beauty can live in the unexpected.

To wear Pomellato is to wear Milan: sharp yet romantic, structured yet sensual, historic yet ever evolving. And with this new collection, Pomellato continues to remind the world that high jewelry doesn’t have to shout to make an impact—it simply needs to speak your language.